**Walter Zerlett-Olfenius** (born July 4, 1897, Wiesbaden, Germany – died April 18, 1975, Füssen, Germany) was a prominent German screenwriter known for his influential work with UFA (Universum Film AG) from 1936 until 1945. As a **Manifesting Generator** in Human Design, Zerlett-Olfenius exhibited a remarkable ability to respond to creative opportunities, channeling his dynamic energy into impactful storytelling that resonated with audiences.

One of his most notable projects was the controversial 1943 Nazi film about the sinking of the RMS Titanic, which became one of the most expensive films ever made, costing around four million Reichsmarks (approximately $180 million US today). His career as a screenwriter began in 1935, during which he developed a close collaboration with director Herbert Selpin. This partnership was significant until Selpin’s untimely death during the making of Titanic.

Zerlett-Olfenius’s **4/6 Profile** in Human Design indicates his natural inclination to build strong networks and relationships, which were crucial throughout his career. His ability to connect with others was particularly evident during the production of Titanic, where he was faced with a moral dilemma. Following Selpin’s critical remarks about the German military, Zerlett-Olfenius, guided by his **Sacral Inner Authority**, felt compelled to report these comments to his close friend Hans Hinkel. He cited that Selpin had made “vile calumnies and insults against German soldiers at the front.” This decision had dire repercussions, leading to Selpin’s arrest and ultimately his suspicious death in custody.

In August 1947, Zerlett-Olfenius faced legal repercussions for his involvement in Selpin’s death, receiving a sentence of four years in a labor camp and the confiscation of fifty percent of his assets. However, this sentence was revoked in 1949 upon appeal, allowing him to move forward from the turmoil of that period.

After these tumultuous events, Zerlett-Olfenius and his actress wife, Eva Tinschmann, chose a quieter life in Rosshaupten, Bavaria, where he never returned to the film industry. His Human Design, characterized by channels including **13-33, 2-14, 21-45, and 42-53**, reflected a deep understanding of the human experience, enabling him to navigate the complexities of storytelling with profound insight.

Walter Zerlett-Olfenius passed away at the age of 78, leaving behind a legacy that is intricately woven into the tumultuous history of his time, marked by both his creative contributions and the moral complexities he faced throughout his career.