Vaslav Nijinsky: The Dancing Manifestor and His Human Design

Vaslav Nijinsky, born on March 11, 1888, in Kiev, Ukraine, was not just one of the greatest male ballet dancers of all time but a true icon whose Human Design reflected the unique and transformative impact he had on the world of dance. Renowned for his spectacular high leaps and supreme virtuosity, Nijinsky combined featherweight lightness with steel-like strength. His incredible talent and groundbreaking style elevated him to the status of a genius in ballet, touching audiences around the world.

Early Life and Family Background

Vaslav was the second son of celebrated dancers, Thomas Laurentivevich Nijinsky and Eleonora Bereda. His childhood was primarily spent in the Caucasus, where he began dancing alongside his siblings, Stanislav and Bronislawa. His parents, who had their own dance company, performed extensively throughout the Russian Empire. Vaslav’s father was especially noted for his enormous leaps, a trait that Vaslav would later master and redefine.

Even as a child, Nijinsky’s prodigious talent for dance was evident. At the age of nine, his father began formal lessons with him, and by August 1898, he entered the Imperial School of Dancing in St. Petersburg. His extraordinary abilities were quickly recognized by his instructors, some of the finest of the era. Though he had the opportunity to graduate early and join the prestigious Mariinsky Theatre at 16, Nijinsky chose to complete his studies, driven by his Manifestor Type’s strategy to inform and influence through mastery.

The Rise of a Ballet Phenomenon

Upon graduating in the spring of 1907, Nijinsky joined the Mariinsky Theatre as a soloist on July 14, 1907. His debut performance in “La Source,” alongside Julia Sedova, captivated both the public and critics. With his exotic Slavic features, feline movements, and remarkable jumps, he quickly gained international fame.

Nijinsky’s Human Design as a Manifestor with an Emotional Inner Authority and a Profile of 6/2 meant he was naturally driven to inform and impact, often bringing new perspectives and radical innovation to the dance world. His performances were not just displays of technical prowess but emotionally charged experiences that transformed the audience’s perception of ballet.

The Ballets Russes and Unprecedented Success

The Ballets Russes, led by impresario Serge Diaghilev, became a vital platform for Nijinsky’s talent. Diaghilev’s vision of integrating the best in music, painting, and dance revived ballet as a significant art form in the West. As danseur noble, Nijinsky danced leading roles in many classical ballets between 1907 and 1911, including “Swan Lake,” “The Sleeping Beauty,” and “Giselle.”

It was during his time with the Ballets Russes that Nijinsky’s Human Design channels, such as the 12-22 channel of openness and the 57-20 channel of intuitive awareness, were fully expressed. These channels allowed him to adapt and resonate with the music and choreography deeply, making each performance a unique manifestation of his internal emotional landscape.

A Creative Force in Choreography

In 1912, Nijinsky embarked on a career in choreography, showcasing his daring originality despite his slim choreographic portfolio. His works, including “The Minstrel,” “Mephisto Valse,” and “Les Papillons de nuit,” although few, were groundbreaking. His Incarnation Cross of the Left Angle Cross of Informing (22/47 | 11/12) empowered him to challenge the norms and usher in new expressions of dance.

Nijinsky’s choreography was a reflection of his Manifestor energy, breaking barriers and informing the future direction of ballet. His intuitive channels enabled him to weave complex narratives and emotional depth into his works, cementing his legacy as a visionary artist.

Personal Life and Challenges

Nijinsky’s personal life was as dramatic as his stage performances. His relationship with Diaghilev was both personal and professional, with Diaghilev’s Svengali-like influence shaping much of Nijinsky’s career. However, in 1913, his marriage to Hungarian dancer Romola de Pulszky marked a turning point. This was a manifestation of his Emotional Inner Authority, propelling him towards what he felt was true love, despite Diaghilev’s objections.

World War I brought personal turmoil, as Nijinsky was interned in a prison camp due to his Russian nationality. His return to the stage was marked by increasing instability, both mentally and emotionally, leading to a deep depression and eventual diagnosis of schizophrenia. His creative manifestations shifted from dance to drawing, reflecting the inner turbulence he experienced.

Legacy and Lasting Impact

Vaslav Nijinsky retired from the stage in 1919, leaving a legacy that influenced countless dancers and choreographers. His Human Design as a Manifestor, with its emphasis on informing and catalyzing change, was evident in every leap, turn, and creation. Despite his struggles with mental health, his contributions to ballet remain unparalleled.

Nijinsky passed away on April 8, 1950, in London, England, and was laid to rest in Montmartre Cemetery in Paris, near Auguste Vestris, to whom he was often compared. His life and work continue to inspire, embodying the transformative power of dance and the impact of a Manifestor’s journey.

Frequently Asked Questions

What is Vaslav Nijinsky’s Human Design?

Nijinsky was a Manifestor with an Emotional Inner Authority and a Profile of 6/2. His Incarnation Cross was the Left Angle Cross of Informing (22/47 | 11/12), and he had channels including 11-56, 57-20, 12-22, 18-58, and 19-49.

How did Nijinsky’s Human Design influence his career?

His Manifestor type and unique channels allowed him to revolutionize ballet with intuitive performances and innovative choreography. His Emotional Inner Authority guided his impactful decisions, both on and off the stage.

What was Nijinsky’s impact on ballet?

Nijinsky brought a new level of emotional depth and virtuosity to ballet. His daring choreography and exceptional performances redefined the art form, influencing future generations