**Ulrich von Wilamowitz-Moellendorff** (22 December 1848 – 25 September 1931) was a prominent German classical philologist, celebrated as a leading authority on Ancient Greece and its literature. Recognized as a central figure in 19th and 20th-century Classical philology, Wilamowitz’s scholarly contributions have left a lasting impact on the field.

Born in Strzelno, Poland, Wilamowitz exhibited the qualities of a Projector in Human Design, characterized by his unique ability to guide and lead through his insights. With a Splenic Inner Authority, he relied on his instincts to navigate academic challenges, often waiting for the right invitations to share his profound knowledge. His 3/5 Profile reflects his experimental approach to learning and teaching, as well as his ability to adapt and innovate in the face of challenges.

Wilamowitz studied Classical Philology at the University of Bonn, where he was significantly influenced by his teachers, Otto Jahn and Hermann Usener. Despite a strained relationship with Usener, he developed a lifelong rivalry with fellow student Friedrich Nietzsche, while fostering a close friendship with contemporary Hermann Diels. In 1869, he moved to Berlin with Diels, graduating as a Doctor of Philosophy cum laude in 1870.

In 1878, Wilamowitz married Maria Mommsen, the eldest daughter of renowned ancient historian Theodor Mommsen, whom he assisted in completing his Roman History. His personal life mirrored the themes of his Human Design, as he navigated relationships with both collaboration and rivalry.

Wilamowitz’s later years were marked by seclusion due to severe kidney problems, yet his legacy continued to thrive. He passed away in Berlin on 25 September 1931, after a short coma, and was buried in his native village alongside his wife, Maria (1855–1936), and their only son, Tycho. He also had a daughter, Dorothea Freifrau Hiller von Gaertringen, who married archaeologist Friedrich Hiller von Gaertringen.

Wilamowitz’s Human Design profile, particularly his Right Angle Cross of The Vessel of Love (10/15 | 46/25), underscores his deep connection to the themes of love and connection in his scholarly pursuits. His channels, including 64-47, 63-4, 57-10, and 25-51, highlight his intellectual depth and emotional awareness, further enriching his contributions to classical philology.