**Richard Williams: A Jazz Luminary and Projector of Creativity**

Richard Williams, born on May 4, 1931, in Galveston, Texas, was an influential American jazz trumpeter whose artistry left a lasting mark on the jazz landscape. Known for his unique sound and improvisational skills, Williams played alongside jazz greats, including Charles Mingus, with whom he performed at the Newport Jazz Festival in 1959. This collaboration marked the beginning of a fruitful recording relationship that continued throughout the 1960s.

As a Projector in Human Design, Williams embodied the essence of guidance and mastery in his craft. His Splenic Authority allowed him to make intuitive decisions that resonated with his artistic vision, while his strategy of “Waiting for the Invitation” meant that he thrived in collaborative environments where his talents were recognized and appreciated. This was evident in his numerous recordings as a sideman for prominent labels such as Blue Note, Impulse!, New Jazz, Riverside, and Atlantic, where he contributed to the works of iconic musicians like Oliver Nelson, Grant Green, and Duke Ellington.

In 1960, Williams recorded his only session as a leader, “New Horn in Town,” released on Candid Records. This album featured notable musicians like Reggie Workman and Leo Wright and showcased his innovative approach to jazz. His 1/3 Profile in Human Design reflects his journey of experimentation and learning through experience, as he navigated the complexities of the jazz scene.

Williams also made significant contributions to Broadway, performing in pit orchestras for productions such as “The Me Nobody Knows” and “The Wiz,” both of which featured him on the original cast recordings. His versatility extended beyond jazz trumpet; he also played piccolo trumpet and flugelhorn with classical orchestras, demonstrating his wide-ranging musical abilities.

Throughout his career, Williams led bands in renowned New York jazz clubs, including Sweet Basil’s and the Village Vanguard, where he shared his passion for music with audiences. His channels, including 57-10, 7-31, and 13-33, highlight his capacity for deep emotional expression and connection with others through music.

Richard Williams passed away on November 4, 1985, at the age of 54, due to kidney cancer in his home in Jamaica, New York. His legacy as a Projector in the jazz world continues to inspire musicians and fans alike, reminding us of the power of creative collaboration and the importance of waiting for the right opportunities to shine.