Philippe Entremont's Human Design Chart

6/2 Emotional Manifestor

French classical pianist and conductor.
Philippe Entremont was born in Reims to musical parents, his mother being a Grand Prix pianist and his father an operatic conductor. Philippe first received piano lessons from his mother at the age of six. His father introduced him to the world of chamber and orchestral music. He studied in Paris with Marguerite Long, and entered the Conservatoire de Paris. He won prizes in sight-reading at age 12, chamber-music aged 14, and piano at 15. He became Laureat at the international Long-Thibaud Competition at the age of 16. In the following year he won a prize in the Queen Elisabeth Music Competition in Brussels, and then began his career of serious concert-giving at the piano.
Within five years he was hailed as a new and major voice in European pianism. He earned further recognition through tours of South America and the United States; organized by the National Music League and the Jeunesses Musicales International in 1953 and 1955. Eugene Ormandy auditioned him in 1954 and at once engaged him for his Philadelphia Orchestra debut, which took place in November 1956. His early Columbia recordings with Ormandy (c.1957-58), released in Europe by Philips Records (e.g. Rachmaninoff’s Rhapsody on a Theme of Paganini) preserve the mood of exhilaration which attended his European debuts. His recording of Rachmaninoff’s Second Concerto with Leonard Bernstein on Columbia was considered an extraordinary reading at the time. He also recorded Tchaikovsky’s Piano Concerto No. 1, with the same forces. He recorded Rachmaninoff’s First and Fourth Concertos with Ormandy and the Philadelphia Orchestra. The Concertos Nos. 2 and 4 of Saint-Saëns with Ormandy are noteworthy as well. Entremont made a debut as both pianist and conductor (directing from the keyboard) in 1968 on a Columbia records release in which he played Mozart’s Piano Concertos Nos. 13 and 17 and conducted the Collegium Musicum of Paris. He has also recorded many of Friedrich Kuhlau’s songs.
Entremont was Director of the New Orleans Symphony from 1980 to 1986. He served the Denver Symphony (now the Colorado Symphony Orchestra) as principal conductor from 1986 to 1988, and music director from 1988 to 1989. Entremont has also been chief conductor of the Vienna Chamber Orchestra, and is now its Conductor Laureate. He also holds the same title with the Israel Chamber Orchestra.
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Philippe Entremont

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