Lorenzo N. Fowler: American Phrenologist and Human Design Projector

Lorenzo Niles Fowler, born on June 23, 1811, in Cohocton, New York, was a prominent American phrenologist, author, and editor. Alongside his brother, Orson Squire Fowler, he became a leading figure in the field of phrenology during the 19th century. Their work not only brought significant attention to the study of phrenology but also established them as key figures in the movement. Lorenzo’s life and career were guided by his unique Human Design, which played a significant role in shaping his contributions to the field.

Early Life and Education

Lorenzo N. Fowler was born into a family that valued education and intellectual pursuits. The Fowlers were known for their inquisitive nature and interest in the scientific exploration of the mind. Lorenzo’s journey into the field of phrenology began early, influenced by the intellectual environment fostered by his family.

He and his brother Orson, who shared his passion for understanding the human mind, began exploring the principles of phrenology, a study that sought to determine personality traits based on the shape of the skull. This interest led them to start lecturing in 1832, eventually establishing a practice in New York City in 1835.

Career and Contributions to Phrenology

Lorenzo Fowler’s career in phrenology was marked by a deep commitment to the dissemination of knowledge. Together with Orson, he founded the American Phrenological Journal, which became a cornerstone for the spread of phrenological ideas. Their lectures and writings contributed significantly to making phrenology popular in America and later in England.

In 1860, Lorenzo moved to England, where he continued his work in phrenology. His efforts helped establish the Fowler name as synonymous with phrenology, and he became a sought-after lecturer and consultant in the field. His contribution to the phrenological community was not only through his writings and lectures but also by training others in the practice of phrenology.

Human Design: The Projector Type

Lorenzo N. Fowler’s Human Design type is that of a Projector, which significantly influenced his approach to life and work. Projectors are known for their ability to guide others and provide insights into systems and processes. They are natural leaders when their guidance is invited, and they thrive in environments where their strategic insights are valued.

As a Projector, Lorenzo’s strategy was to “Wait for the Invitation.” This approach allowed him to navigate his career in phrenology effectively, making significant contributions when opportunities presented themselves. His success in establishing a phrenology practice and journal can be seen as a reflection of this strategy, where he waited for the right moments to share his insights and knowledge.

Inner Authority: Self Projected

Lorenzo’s Inner Authority was Self Projected, meaning his decisions were best made when he could express his thoughts clearly and receive feedback from trusted allies. This trait would have been instrumental in his collaborations with his brother Orson and others in the phrenological community, allowing him to refine his ideas before presenting them to a broader audience.

Profile: 3/5

Lorenzo’s Profile was 3/5, known as the “Martyr/Heretic.” This profile suggests a life of trial and error, where learning comes through personal experience. As a phrenologist, Lorenzo would have experimented with different ideas and methods, learning from failures and successes alike. His willingness to explore uncharted territories in phrenology marked him as a true pioneer in the field.

Incarnation Cross: Right Angle Cross of The Vessel of Love (15/10 | 25/46)

Lorenzo’s Incarnation Cross, the Right Angle Cross of The Vessel of Love, indicates a life purpose centered around bringing love and compassion into the world. His work in phrenology, which aimed to understand human nature, can be seen as an expression of this purpose. By seeking to understand and share insights into human behavior, Lorenzo contributed to a greater understanding and appreciation of the human condition.

Channels: “11-56”, “20-10”, “1-8”

Lorenzo had the channels of “11-56”, “20-10”, and “1-8” in his Human Design chart. These channels represent his ability to conceptualize and share stories (11-56), his sense of self and presence (20-10), and his creativity and contribution to society (1-8). These characteristics made Lorenzo a compelling lecturer and writer, allowing him to captivate audiences and communicate complex ideas effectively.

Personal Life

Lorenzo was married to Lydia Folger, an accomplished woman who was the first in America to graduate as a doctor. Lydia’s pioneering spirit and dedication to education were well-matched with Lorenzo’s intellectual pursuits. The couple moved to England in 1860, where they continued to contribute to their respective fields until Lorenzo’s death on September 2, 1896.

Legacy and Impact

Lorenzo N. Fowler’s legacy is deeply intertwined with the development and popularization of phrenology during the 19th century. His work alongside his brother Orson not only advanced the understanding of phrenology but also left a lasting impact on the study of the human mind. Although phrenology is no longer considered a scientific discipline, Lorenzo’s contributions to the field remain a testament to his passion for understanding human nature.

By incorporating his Human Design into his life’s work, Lorenzo was able to align his career with his natural abilities and inclinations. This alignment allowed him to make significant contributions to phrenology while also fulfilling his personal life purpose as described by his Incarnation Cross.

Frequently Asked Questions

What is Lorenzo N. Fowler known for?

Lorenzo N. Fowler is known for his work as a phrenologist, author, and editor. He was a prominent figure in the study of phrenology, contributing to its popularization in the 19th century.

How did Lorenzo’s Human Design influence his career?

Lorenzo’s Human Design, as a Projector with Self Projected Authority, guided his approach to life and work. His strategy of “Waiting for the Invitation” allowed him