**Hubert Yencesse: A Human Design Perspective**

Hubert Yencesse, born on April 28, 1900, in Paris, France, was a renowned French sculptor celebrated for his innovative contributions to the art world. His artistic journey reached a significant milestone with a retrospective at the Rodin Museum in Paris in 1972, showcasing his mastery and influence in sculpture.

In the realm of Human Design, Yencesse was identified as a Manifestor, a type characterized by the ability to initiate and create. This unique trait positioned him as a trailblazer in his field, allowing him to forge new paths and inspire others through his artistic vision. Guided by his Splenic Authority, Yencesse made instinctual decisions rooted in his immediate feelings and intuition, a process that likely shaped the themes and expressions found in his work.

Yencesse’s strategy as a Manifestor was to inform, which meant that he prioritized clear communication of his vision and intentions to those around him. This approach fostered collaboration and understanding in his artistic endeavors, enabling him to connect deeply with his audience and peers.

His Profile of 1/3 highlights a natural inclination towards investigation and experimentation. This suggests that Yencesse was both a diligent researcher and a hands-on creator, unafraid to learn from trial and error as he explored various artistic techniques. His Incarnation Cross, the Right Angle Cross of The Four Ways (24/44 | 19/33), indicates a life path focused on exploring diverse avenues of expression and understanding, reflecting the multifaceted nature of his artistic legacy.

Yencesse’s channels, particularly 26-44 and 21-45, further emphasize his ability to manifest ideas into reality and assert his creative authority. These channels illustrate his capacity to transform inspiration into tangible art, showcasing his distinctive approach to sculpture.

Hubert Yencesse passed away in Paris at 3:45 PM on October 4, 1987. His legacy continues to inspire artists and sculptors around the world, serving as a testament to the profound impact of individuality and creativity in the arts, as well as the powerful influence of his Human Design characteristics.