**Barney Wilen: A Harmonious Fusion of Jazz and Human Design**

Barney Wilen, born on March 4, 1937, in Nice, France, was a renowned French tenor saxophonist whose musical journey was as dynamic and multifaceted as his Human Design profile. As a Manifesting Generator, Wilen embodied a unique blend of creativity and responsiveness, allowing him to thrive in the ever-evolving landscape of jazz music.

Growing up in the USA, Wilen’s early exposure to diverse musical influences shaped his distinctive sound. He recorded with jazz luminary Roy Haynes in 1954, and by 1955, he was performing at the iconic Club St.-Germain in Paris alongside legends such as Kenny Clarke, J.J. Johnson, Benny Golson, and Bud Powell. His emotional authority guided his artistic choices, leading him to collaborate with John Lewis in 1956 and again with Powell from 1957 to 1959.

Wilen’s career took a pivotal turn when he worked with Miles Davis on the soundtrack for the film “L’ascenseur Pour L’échafaud” in 1957. This collaboration showcased his ability to respond to the emotional nuances of music, a hallmark of his Manifesting Generator type. He continued to explore new musical territories, recording with Milt Jackson in 1958 and Kenny Dorham in 1959. As a member of Art Blakey’s Jazz Messengers, he contributed to the soundtrack of “Dangerous Liaisons,” further solidifying his place in jazz history.

From 1968 to 1973, Wilen lived in Africa, where he immersed himself in the rich cultural tapestry of the continent. This experience influenced his artistic direction, and upon returning to Nice in 1977, he embraced jazz-rock and experimented with a fusion of jazz and African rhythms. His later work favored a bop style reminiscent of his late 1950s performances, showcasing the adaptability and resilience characteristic of his 3/5 profile, which blends the trial-and-error approach of the 3 with the innovative spirit of the 5.

Wilen’s personal life included a marriage on August 12, 1976, which ended in divorce on October 6, 1990. His journey came to a close when he passed away from cancer on May 25, 1996, in Aubervilliers, France. Throughout his life, Wilen’s music and experiences reflected the essence of his Human Design, particularly his Right Angle Cross of Consciousness (63/64 | 5/35), which emphasized the importance of awareness and understanding in his creative expression.

Barney Wilen’s legacy as a pioneering jazz musician continues to resonate, reminding us of the profound connection between our human experiences and the art we create.