Agustín Lazo Adalid's Human Design Chart
2/4 Emotional Manifesting GeneratorAgustín Lazo Adalid: The Manifesting Generator of Surrealism in Mexico
Agustín Lazo Adalid, born on March 14, 1896, in Mexico City, is celebrated as a pioneering Mexican artist and playwright who introduced surrealism to Mexico. His life and works were profoundly influenced by his Human Design type, a Manifesting Generator, which played a crucial role in his artistic journey and the fusion of various avant-garde movements with Mexican culture.
Early Life and Education
Born during a period of significant social upheaval owing to the Mexican Revolution, Lazo’s early environment was one of transformation and change. These formative years ingrained in him a lifelong appreciation for change and adaptation, aligning with his Human Design of being a Manifesting Generator. His unique ability to respond quickly to life’s events and his vibrant creativity set the stage for his future contributions to art and theater.
Artistic Exploration in Europe
Lazo’s artistic journey took a major turn in the 1920s and early 1930s during his time in Europe. Rather than aligning with the popular Mexican muralism movement, he gravitated towards European avant-garde aesthetics. This decision was reflective of his Human Design strategy “to respond,” allowing him to immerse himself deeply in the vibrant and unconventional art scenes of Europe.
Manifesting Generator in Action
As a Manifesting Generator, Lazo was naturally drawn to explore multiple disciplines simultaneously. His Human Design channels, particularly the “11-56,” which connects storytelling with ideas, influenced his work significantly. This is evident in how his artwork often carried theatrical themes, while his theater projects emphasized visual artistry and set design. His profile, 2/4, known as the Hermit/Opportunist, suggests that while he relished solitude for deep reflection, he also thrived by seizing opportunities in community and collaboration.
The Los Contemporáneos
Lazo became a central figure in the Los Contemporáneos or “Grupo sin grupo,” a collective of intellectuals and artists who resisted the mainstream artistic currents of the time. His Incarnation Cross, the Right Angle Cross of Eden (36/6 | 11/12), mirrors the visionary and inclusive essence of this group. He embraced the cross’s energy by bringing a taste of Eden—imagination and innovation—into his and his peers’ works.
Interconnection of Art and Theater
Lazo’s career is a testament to his ability to blur the lines between different art forms. His Human Design channels also include “35-36,” the Channel of Transitoriness, which speaks to his dynamic ability to move between roles and projects with ease. This adaptability is noted in how his visual artistry and theatrical work interplayed, each informing and enhancing the other to create a unique body of work that remains influential.
Emotional Inner Authority
Guided by an Emotional Inner Authority, Lazo’s decision-making process was heavily reliant on his emotional clarity. This is reflected in the emotive depth of his theatrical productions and the emotional resonance of his paintings. His work did not only appeal to visual or intellectual sensibilities but also touched deeper emotional chords.
Personal Life and Legacy
Lazo’s personal life was marked by his long-term partnership with poet Xavier Villaurrutia. Together, they not only shared a personal bond but also collaborated on many artistic projects, embodying the “37-40” Channel of Community, which underscores bonds and partnerships.
Following Villaurrutia’s death in 1950, Lazo’s creative endeavors ceased. His decision to retire from art aligns with his Human Design’s responsiveness; he responded to his emotional landscape by withdrawing from public artistic expression. This phase of his life demonstrates the significance of his Emotional Inner Authority, guiding him to honor his emotional needs.
Agustín Lazo Adalid passed away at the age of 74 from a cerebral hemorrhage and hypertension on January 28, 1971, in his Mexico City home. Despite his withdrawal from public life, his influence on surrealism and Mexican art continues to be recognized and celebrated.
Frequently Asked Questions about Agustín Lazo Adalid
What is Agustín Lazo Adalid known for?
He is renowned for introducing surrealism to Mexico and for his dual contributions as an artist and playwright. His works are characterized by the integration of theatrical elements and visual arts.
How did Agustín Lazo’s Human Design influence his work?
As a Manifesting Generator with Emotional Inner Authority, Lazo was adept at handling multiple projects simultaneously, channeling his creative energy into both art and theater. His design facilitated a dynamic and responsive approach to his creative processes, allowing him to blend various artistic forms seamlessly.
What was significant about his involvement with Los Contemporáneos?
Los Contemporáneos was a group of like-minded artists and intellectuals challenging the prevailing artistic trends of the time. Lazo’s involvement with this group underscored his desire to explore and promote avant-garde movements within Mexican art, aligning with his Human Design’s innovative and community-oriented facets.
Why did Agustín Lazo retire from art?
Following the death of his partner, Xavier Villaurrutia, Lazo chose to retire from creating art. This decision was deeply personal and aligned with his Emotional Inner Authority, which guided him to honor his emotional needs during a time of profound loss.
What is the lasting impact of Agustín Lazo Adalid?
His lasting impact lies in his pioneering role in introducing and integrating surrealism into Mexican art and theater. His work exemplifies a unique fusion of European avant-garde and Mexican artistic traditions, continuing to inspire artists and audiences alike.
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